CONTACT: Katie McElwain/ Marketing Coordinator
(802) 447-1571 Fax (802) 442-8305
The Masters Come to the
On August 3 at 7:00 p.m., the
In European bourgeois society in the first half of the 19th century, the art world rarely deviated from
the long accepted ideals of beauty. Art
was recognizable to anyone because of artists’ technical skill in precise
drawing, smooth surfaces, idealized human figures, and accepted subjects,
usually biblical or mythological.
The idea
of personal artistic expression outside of this framework was almost foreign to
the general public until a group of artists boldly went against these long
established painting techniques. The artists were widely mocked in the
conservative circles of Parisian society, and their works were not accepted as
“real” or “serious” art by critics of the time.
It was in
This group of painters embraced light and color. They tried
to capture their optical
“impressions” of the visual world, rather than producing highly
finished, academic views. Through dabs
and blobs of colorful paint, instead of clear lines and carefully modeled
forms, they heightened the depth and movement of their paintings. The region in and around Paris provided an
endless source of modern subject matter for these Impressionists, who included
Monet, Manet, Pissarro,
Renoir, Sisely, Degas, and others.
Their influence eventually spread to other parts of the
world. Those following in the French
artists' footsteps included Americans Mary Cassatt,
Frederick William MacMonnies, Theodore Robinson,
William Morris Hunt and scores of others. It was through Impressionism that
other modern styles evolved, such as Post-Impressionism, Cubism, Pointillism,
and Pictorialism.
The exhibit at the
In the
second half of the 20th century
Impressionism gained enormous popularity, a popularity that would probably
surprise the artists themselves. Degas,
Monet, and Renoir are names that are easily recognizable even by those who are
not art enthusiasts. With this popularity comes the overuse of these images on
commercialized items. The avant-garde, pioneering aura that originally
accompanied these paintings is sometimes lost. With the exhibition at the
Included
in “Masters of Impressionism & Beyond” are works by Monet, Degas, Renoir, Cassatt, Rodin, and Frederick
William MacMonnies, whose stunning full-length
portrait of Bennington resident May Palmer was actually painted in Monet’s
garden in Giverny.
Among many other artists featured in the exhibit are some major
avant-garde figures who were influenced by the Impressionists such as Pierre
Bonnard, Fernand Leger, and Pablo Picasso. This exhibit is an amazing opportunity for
those in the
Join the
museum for a special opening reception on Friday, August 3 at 7:00 p.m. to
celebrate this exhibit. Be among the
first to view the paintings, and then journey to the South of France for
delicious hors d’oeuvres created by Alldays &
Onions, themed drinks at the open bar, and lively music. Join curator Jamie Franklin for a gallery
talk on highlights of the exhibition. Tickets are $75 per person. Only 100 will
be sold, so reserve your ticket by calling the museum at 802-447-1571. RSVP by July 30.
“Masters of Impressionism &
Beyond” is made possible through the generous support of Applejack Art
Partners, the Town of